Dir. Lee Sales, UK , 2011, 97 mins

Cast:   Ophelia Louibond, George Russo, Francis Pope,

Review by Roopesh Parekh

Lee Sales’s debut feature film Turnout is a disappointing, rather lengthy short film, which attempts to cover all the cliches one has come to expect from a gritty urban drama, with a pretty bland effect. Set in the dire East End of London, starring George Russo ( Priest, Dr Who ) and Orphelia Lovibond ( No Strings Attached, Mr Popper’s Penguins ), Turnout explores the troubled relationship between Sophie and George, a couple who in a last ditch attempt to save their relationship, plan to go on a luxury holiday.

Russo plays the jobless, hopeless and clueless George, who’s been entrusted with his girlfriend’s savings for the holiday.   In order to make a quick buck and pay his share, he decides to “invest” Sophie’s money in a drug deal, which is predictably about to go wrong. As George’s freeloading friends start dipping into his drug supply, he’s left carrying the bill and the wheels start to come off his brilliantly dumb scheme very quickly. All of this results in his middle-class, VW beetle driving girlfriend Sophie re-evaluating her relationship with him; a relationship which is pretty difficult to believe in the first place given that he’s such a sap and she’s attempting to be a high flying professional.

The writers, Lee Sales and Francis Pope, have designed the characters so carelessly, it makes it hard to care whether or not they stay together. There is no sense of rooting for George to succeed in all his duckin’ and divin”, Sophie is constantly   whinnying and within the first ten minutes you’re already bored. The rather short appearance of Plan B is the comic injection the film needs, though it’s safe to say that the writers weren’t going for a comedy effect. Neil Maskell stands out from the cast, for his strong performance, but is often sidelined within the film and you’re back to the whinnying Sophie and the boring George.

The cinematography is perhaps what saves it all and makes it bearable, with James Friend providing a slick, stylish look for the film and keeping things visually interesting. Sales’s does try to extract some good performances from his actors and for a debut feature film,   it is ironic that what lets it down is his own script.

There is no point to this story, no real message, no entertainment. Turn off the film and let’s all move on. 

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