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The Dead (U)

The Dead (1987)

   

 

Dir. John Huston, US, 1987 (remastered 2006), 83 mins

Cast: Anjelica Huston, Donal McCann, Dan O'Herlihy, Donal Donnelly

Review by Joyce Dundas

James Joyce's name carries the ultimate, though unintentional, threat any writer could make; he has written the unfilmable.

That said, no writer, nor lover, nor filmmaker, nor simply human being, can watch the adaptation of his short story The Dead and not say his writing can be filmed. Director John Huston's legacy, starring Huston's daughter Anjlelica and adapted from Joyce's story by his son Tony, is a masterpiece.

Huston pays tribute to Joyce – the ultimate master of 'stream of consciousness' writing and one of the greatest English language modernists – using the filmmaking process and he makes a lyrical and beautiful homage to the country of Ireland, and particularly its people, that they both hail from.

Now, this will not make it into the ultimate Christmas film list in many people's eyes – it is not there with It's a Wonderful Life or Miracle on 34th Street. No, this is a film about how difficult family dinners can be at Christmas and the incredible memories, sometimes dreadful emotions, that this most happy of times can dig up, often from hidden places.

The Conroys' story is of course the one that would stop even the happiest of Santa's elves in their tracks. Anjelica's character, Gretta Conroy, is taken back to a moment of deep regret in her younger past after an uncomfortable family dinner, the dinner that should be the very icon of Christmas.

However iconic family Christmas may be though, it is Gretta's experience as she is leaving, using the famous Irish catalyst of a beautiful singing voice, that reminds her of a young love. She tells her husband a deeply emotional, and incredibly intimate, secret that she has never recovered from and there is no doubt that it will change them forever. The maturity of the acting from both leads here says it all without histrionics or gesture.

No-one knows what will happen after the credits roll, but as with all great films we can only imagine how this memory will affect Christmas for all of them in the future.

From the words of Joyce himself: 'His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.' It makes any writer cry to think they might never be able to say anything on that level. As part of the audience, don't feel embarrassed if tissues are required.

 
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