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The Edge of Love (15) 

The Edge of Love (15)    

 

Dir. John Maybury, UK, 2008, 111 mins

Cast: Keira Knightley, Sienna Miller, Matthew Rhys, Cillian Murphy

Review by Carol Allen

Producer Rebekah Gilbertson knew as a child that there was a connection between her grandparents Vera and William Killick and the poet Dylan Thomas and his wife. While a student at the National Film School she found out more about that connection and the result several years later is "The Edge of Love".

Vera (Keira Knightley) was the poet's childhood sweetheart in Wales. She and Dylan (Matthew Rhys) meet again in London, where she is working as a cabaret singer during the Second World War. They are still attracted to each other but Dylan is now married to Caitlin (Sienna Miller), with whom despite their unspoken romantic rivalry Vera forms a strong friendship. Vera marries her devoted admirer William (Cillian Murphy) and while he is away fighting, joins the Thomases, now in Wales. When William returns home a war hero and a changed man, the situation explodes into violence.

This is very much a story about young people and youthful passion but the main focus is on the implicitly ambiguous friendship between the two women. Miller is particularly good as the free spirited and perceptive Caitlin but well matched by Knightley, whose pure singing voice, when we first meet her entertaining Londoners hiding in the underground from the blitz, fits the "Vera Lynn" period style. Rhys, whose put on a bit of weight for the role, captures Dylan's charm and selfishness and Murphy is moving as the gentle but later emotionally scarred William. The script is by Knightley's mother, playwright Sharman Macdonald. What the film won't tell you is a lot about Thomas the poet. His poems when used don't seem to relate very much to the action, but it's a minor flaw. Director John Maybury gets the most out of his young actors and handles the sex scenes with feeling and discretion. He also captures the period well and gives the film a great physical beauty, while never losing sight of the drama.

 

 
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