Dir.
Michele Placido, Italy/France/UK, 2005, 153 mins
Cast: Kim Rossi Stuart, Anna Mouglalis, Pierfrancesco Favino,
Stefano Accorsi
Review by Carol Allen
Romanzo Criminale (literally translated "Crime
Novel") is based on the best selling book of that name
by Giancarlo De Cataldo. It tells the story of a trio of
childhood friends, as they progress from juvenile delinquent
petty crime to becoming the crime kings of Rome as adults
in the seventies and eighties. The characters are based on
real life criminals and their exploits are set against and
occasionally cross paths with events in what was a turbulent
time for crime and terrorism in Italy's recent history, such
as the abduction and assassination of Aldo Moro and the Bologna
train station bombing.
Leader of the gang is Lebanese (Favino), so named after his
drug of choice. It is he who suggests they spend the ransom
money from their first major operation, the kidnapping of
a wealthy aristocrat, as seed money to take over the Roman
crime world, including the lucrative drugs trade. His loyal
henchman is handsome, ice cool Freddo (Rossi Stuart), while
the third major "shareholder" in the business is
Dandi (Claudio Santamaria) who is enamoured by the proceeds
of a life of crime - fast cars, expensive clothes and the
beautiful prostitute Patrizia (Mouglalis), who becomes his
girl. Determined to nail the gang is keen young detective
Scialoja (Accorsi), who is also attracted to the charismatic
Patrizia, while outside but involved with the group is Jasmine
Trinca as Roberta, Freddo's girlfriend, who has no idea what
her lover really does for a living.
Director Placido is painting on a very broad canvas as he
traces the rise to underworld power of this criminal Roman
empire over some fifteen years, as they crush their rivals,
form an alliance with the Mafia and then inevitably implode,
when the honour among thieves falls apart. Lebanese becomes
literally power mad, Freddo dreams of going straight with
his girl and Dandi starts his own operation on the side.
While at times echoing The Godfather in its "family" loyalties
and the way it draws you in to empathise with these reprehensible
but fascinating characters, this is a very Italian film,
stylish, violent with a good sense of the period and more
than a suggestion that corruption is not just among the thieves
but in the state as well. The actors, all veterans of Italian
cinema, are totally convincing and it also uses Rome itself
very effectively as the city, where these guys live and operate
both in the back alleyways and in the shadow of structures
such as the Colosseum and the Spanish steps; world famous
tourist attractions but here just incidental background for
an assassination or two. It's powerful stuff and totally
engrossing.
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