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The Science of Sleep (15)

   

 

Dir. Michel Gondry, France/Italy, 2006, 106 mins

Cast: Gael Garcia Bernal, Charlotte Gainsbourg

Review by Carol Allen

Award-winning music video maker Michel Gondry is on the same surreal wavelength as writer Charlie Kaufman. He made his first feature film, when he and Kaufman worked together on Human Nature in 2001, which sunk without trace to video. They then reunited for the successful and deliciously original Eternal Sunshine of the Spotless Mind three years later.

The Science of Sleep, Gondry's first feature film as writer as well as director, is shot partly in French, partly English with some Spanish. Gondry returns to his native Paris, indeed to his own youth, filming it in the same building, where he himself had a boring job in a calendar company as a young man. In the film he gives the same boring job to protagonist Stephane (Garcia Bernal), a job which fails to use Stephane's artistic talents.

However, it's not as if Stephane spends that much time in the real world. The world he creates in his dreams while sleeping is much more real to him. In that world he is the host of "Stephane TV", where he expounds his views on the "science of sleep" on a brightly coloured, picturebook set in front of cardboard cameras.

Arriving in Paris from Mexico to live with his mother (Miou Miou), who finds him the aforesaid boring job, Stephane falls for Stephanie (Gainsbourg), a girl in a neighbouring apartment, when her piano falls on him. While somewhat unusual and creative herself and attracted to Stephane, Stephanie is somewhat alarmed by his shaky grasp on reality, particularly when he tries to draw her into his dream world. And that's about all you need to know about the story.

This film is best enjoyed if you just sit back and enjoy this surreal, imaginative and colourful trip through the mind and feelings of its charming, infuriating and childlike hero – a character who, one suspects, shares a lot of qualities with his creator. While Gondry is not as witty and inventive a writer as Kaufman, his rich visual imagination and technique draw you in to the movie and carry you along with the sheer originality of the ride and the experience of literally being part of someone else's dream.



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