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Timber Falls (18)

Timber Falls (18)    

 


Dir. Tony Giglio, US, 2007, 100 mins

Cast: Josh Randall, Brianna Brown, Beth Broderick

Review by Carol Allen

Your heart may well sink at the thought of yet another "young people being kidnapped by wierdo hillbillies in West Virginia" movie. But while no masterpiece, this is better than most, in that it has a bit more originality in the storyline than you usually get.

Randall and Brown play young city couple Mike and Sheryl on a supposedly peaceful and healthy camping weekend in the West Virginia mountains.Their first night is marred when a group of local young redneck hooligans threaten them, when they discover the couple making out in the woods. So when next morning Mike discovers that Sheryl is missing, he thinks they must be behind her disappearance. But beware, young man, that gentle God fearing woman Ida (Broderick), who gave you directions earlier on. Did you notice her disapproval, when she noticed Sheryl wasn't wearing a wedding ring? And she may be binding your wounds now, but wait till you find out what's in the cellar. Without wanting to spoil it for you, it involves some very weird preserves, a man with a horribly disfigured face, a creepy distortion of Christian teaching and a bizarre plot to give a childless couple the baby they desperately crave.

The plastically good looking Mike and Sheryl are a bit of a pain, particularly Mike, who is irritatingly rude and tactless, which mitigates against our sympathy for him. But the film lays on some good moments to make you jump out of your skin, as in the first appearance of Ida's disfigured brother, the red herrings are well laid in terms of the young hooligans and Broderick as the sweetly gentle and very scary Ida is very good indeed. She was apparently in the television hit "Lost". Did anyone spot her? The film's also horribly violent, sadistic and somewhat sickening at times in the scenes, where Mike and Sheryl are being tortured and the climax is real over the top blood and gore - but that's the sort of film it is and that's what its audience expects. And for what it is, it's slickly and briskly directed by Giglio.



 
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